Sunday, 25 October 2015

The painter that Britain forgot

The Towner Art Gallery in Eastbourne is one of my favourite places to visit when I'm back down south. It's a lovely space with great coffee and wonderful gift shop (containing these cushions of dreams). The Ravilious Room is really special and contains some of Eric Ravilious's most famous works, all featuring scenes of the beautiful Sussex Downs.

But the reason for going along this time was to see the Towner's latest exhibition: 'William Gear: The Painter that Britain forgot'. William Gear was an abstract painter working in the 1940s and 50s who produced some radical and highly controversial pieces. Autumn Landscape is perhaps his most well known paintings, deemed an extravagant waste of money when it won a £500 prize and was exhibited at the 1951 Festival of Britain. Although at the time this radical anti-establishment style of painting brought Gear fame and recognition, his work, both as an artist and as a pioneering curator at the Towner, seems to have been largely forgotten.

It was so inspiring to see and learn about these paintings, and to discover them anew. It seem such a shame that these incredibly dynamic works of arts have been hidden from view and have largely escaped the pages of art books. They form part of Britain's art canon and were an important part of that wave of artistic creativity that boomed in the 1950s.

William Gear's paintings are bursting with colour. I particularly like the two pieces below with their pale greens and lilac clashing and contrasting with the stark black patterns. Everything about his work seems vibrant and alive. I feel very lucky to have had a little glimpse into his world and learn a bit more about the history of the Towner and a forgotten artist whose paintings are now once again centre stage.

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